Gladiator ist ein mit fünf Oscars prämierter Monumentalfilm aus dem Jahr Er entstand unter der Regie von Ridley Scott und spielte weltweit ca. Dort wird er von Proximo (Oliver Reed) gekauft, der die Arenen Roms mit Gladiatoren versorgt. Als Gladiator kommt Maximus in die Hauptstadt, die er als Feldherr. »Ist der schwarze Gladiator unbesiegbar?«, wollte ich wissen. Mr. Silver schüttelte den Kopf.»Jeder ist auf irgendeine Weise zu besiegen. Selbst Asmodis, der.
Der römische Feldherr Maximus soll die Nachfolge des sterbenden Kaisers Marcus Aurelius antreten. Doch dessen Sohn Commodus will dies verhindern. Er tötet seinen Vater und ordnet die Exekution von Maximus und seiner Familie an. Doch Maximus. Gladiator ist ein mit fünf Oscars prämierter Monumentalfilm aus dem Jahr Er entstand unter der Regie von Ridley Scott und spielte weltweit ca. Gladiatoren (aus lateinisch gladiator, zu gladius für „[Kurz-]Schwert“) waren im antiken Rom Berufskämpfer, die in öffentlichen Schaustellungen gegeneinander. Dort wird er von Proximo (Oliver Reed) gekauft, der die Arenen Roms mit Gladiatoren versorgt. Als Gladiator kommt Maximus in die Hauptstadt, die er als Feldherr. miklosfa.eu: Finden Sie Gladiator (Einzel-DVD) in unserem vielfältigen DVD- & Blu-ray-Angebot. Gratis Versand durch Amazon ab einem Bestellwert von 29€. Am Oberschenkel des Gladiators klaffte eine Schwertwunde. Zum Glück war die Wunde nicht tief und hatte stark geblutet, so dass sie von Schmutz gereinigt war. Ein Gladiator, auf dessen Sieg die Männer Wetten abschließen, ist zweifellos ein guter Gladiator; aber ein noch besserer Gladiator ist jener, der nachts den.
Er ist der beste Gladiator von Capua. Mein Mann hat ihn letzten Sommer als Geschenk bekommen. Er könnte es leicht mit deinen beiden Männern aufnehmen. miklosfa.eu: Finden Sie Gladiator (Einzel-DVD) in unserem vielfältigen DVD- & Blu-ray-Angebot. Gratis Versand durch Amazon ab einem Bestellwert von 29€. Am Oberschenkel des Gladiators klaffte eine Schwertwunde. Zum Glück war die Wunde nicht tief und hatte stark geblutet, so dass sie von Schmutz gereinigt war. A general melee of several, lower-skilled gladiators was far less costly, but also less Naruto Shuriken. The Praetorian Guards seen Henrik Larsson the film are all wearing purple uniforms. Marks on the bones of several gladiators suggest a sword thrust into the base of the throat Tv Today 20 15 down towards the heart. Popular factions supported favourite gladiators and gladiator types. Even emperors who disliked munera were thus obliged to attend them. Futrell is citing Robert, Ticket scalpers Locarii sometimes sold or let out seats at inflated prices. The character of Maximus was placed 12th in the Total Film list of 50 best movie heroes and villains Gladiator and 35th in the Empire 's Greatest Movie Characters. Lightly armed Imdb Gravity armoured fighters, such as the retiariuswould tire less Idiocrazy than their heavily Tonari No Kaibutsu-Kun Serien Stream opponents; most bouts would have lasted 10 to 15 Galerie Roter Turm, or 20 minutes at most. Jones, C.
Gladiator Navigation menu VideoGladiator - Now we are free 1H
Even the most complex and sophisticated munera of the Imperial era evoked the ancient, ancestral dii manes of the underworld and were framed by the protective, lawful rites of sacrificium.
Their popularity made their co-option by the state inevitable; Cicero acknowledged their sponsorship as a political imperative.
And suppose a gladiator has been brought to the ground, when do you ever see one twist his neck away after he has been ordered to extend it for the death blow?
Thus demoralised was Capua. The munus itself could be interpreted as pious necessity, but its increasing luxury corroded Roman virtue, and created an un-Roman appetite for profligacy and self-indulgence.
Having "neither hope nor illusions", the gladiator could transcend his own debased nature, and disempower death itself by meeting it face to face.
Courage, dignity, altruism and loyalty were morally redemptive; Lucian idealised this principle in his story of Sisinnes, who voluntarily fought as a gladiator, earned 10, drachmas and used it to buy freedom for his friend, Toxaris.
These accounts seek a higher moral meaning from the munus , but Ovid 's very detailed though satirical instructions for seduction in the amphitheatre suggest that the spectacles could generate a potent and dangerously sexual atmosphere.
There remained the thrilling possibility of clandestine sexual transgression by high-caste spectators and their heroes of the arena.
Such assignations were a source for gossip and satire but some became unforgivably public: . What was the youthful charm that so fired Eppia?
What hooked her? What did she see in him to make her put up with being called "the gladiator's moll"? Her poppet, her Sergius, was no chicken, with a dud arm that prompted hope of early retirement.
Besides his face looked a proper mess, helmet-scarred, a great wart on his nose, an unpleasant discharge always trickling from one eye.
But he was a gladiator. That word makes the whole breed seem handsome, and made her prefer him to her children and country, her sister, her husband.
Steel is what they fall in love with. Most gladiators would have aimed lower. On the one and the same account they glorify them and they degrade and diminish them; yes, further, they openly condemn them to disgrace and civil degradation; they keep them religiously excluded from council chamber, rostrum, senate, knighthood, and every other kind of office and a good many distinctions.
The perversity of it! They love whom they lower; they despise whom they approve; the art they glorify, the artist they disgrace.
In this new Play, I attempted to follow the old custom of mine, of making a fresh trial; I brought it on again.
In the first Act I pleased; when in the meantime a rumor spread that gladiators were about to be exhibited; the populace flock together, make a tumult, clamor aloud, and fight for their places: meantime, I was unable to maintain my place.
Images of gladiators could be found throughout the Republic and Empire, among all classes. Mosaics dating from the 2nd through 4th centuries AD have been invaluable in the reconstruction of combat and its rules, gladiator types and the development of the munus.
Throughout the Roman world, ceramics, lamps, gems and jewellery, mosaics, reliefs, wall paintings and statuary offer evidence, sometimes the best evidence, of the clothing, props, equipment, names, events, prevalence and rules of gladiatorial combat.
Earlier periods provide only occasional, perhaps exceptional examples. Souvenir ceramics were produced depicting named gladiators in combat; similar images of higher quality, were available on more expensive articles in high quality ceramic, glass or silver.
Pliny the Elder gives vivid examples of the popularity of gladiator portraiture in Antium and an artistic treat laid on by an adoptive aristocrat for the solidly plebeian citizens of the Roman Aventine :.
When a freedman of Nero was giving a gladiatorial show at Antium , the public porticoes were covered with paintings, so we are told, containing life-like portraits of all the gladiators and assistants.
This portraiture of gladiators has been the highest interest in art for many centuries now, but it was Gaius Terentius who began the practice of having pictures made of gladiatorial shows and exhibited in public; in honour of his grandfather who had adopted him he provided thirty pairs of Gladiators in the Forum for three consecutive days, and exhibited a picture of the matches in the Grove of Diana.
Some Roman reenactors attempt to recreate Roman gladiator troupes. Some of these groups are part of larger Roman reenactment groups, and others are wholly independent, though they might participate in larger demonstrations of Roman reenacting or historical reenacting in general.
These groups usually focus on portraying mock gladiatorial combat in as accurate a manner as possible. Secutor, Thraex vs. Gladiator fights have been depicted in a number of peplum films also known as "sword-and-sandal" movies.
This is a genre of largely Italian-made historical epics costume dramas that dominated the Italian film industry from to They can be immediately differentiated from the competing Hollywood product by their use of dubbing.
The pepla attempted to emulate the big-budget Hollywood historical epics of the time, such as Spartacus. Inspired by the success of Spartacus , there were a number of Italian peplums that emphasized the gladiatorial arena fights in their plots, with it becoming almost a peplum subgenre in itself; One group of supermen known as "The Ten Gladiators" appeared in a trilogy, all three films starring Dan Vadis in the lead role.
Grier and Markov portray female gladiators in ancient Rome, who have been enslaved and must fight for their freedom. Crowe portrays a fictional Roman general who is reduced to slavery and then rises through the ranks of the gladiatorial arena to avenge the murder of his family.
Amazons and Gladiators is a drama action adventure film directed and written by Zachary Weintraub starring Patrick Bergin and Jennifer Rubin.
From Wikipedia, the free encyclopedia. Roman combatant for entertainment. For other uses, see Gladiator disambiguation.
Main article: List of Roman gladiator types. Main article: Gladiatrix. See also: Pollice verso. Shin guard depicting Venus Euploia on a ship shaped like a dolphin.
Heart-shaped spear head found in the gladiator barracks in Pompeii. Main article: List of Roman amphitheatres.
Gladiator show fight in Trier in Nimes , Carnuntum , Austria, Play media. This section does not cite any sources.
Please help improve this section by adding citations to reliable sources. Unsourced material may be challenged and removed.
December Learn how and when to remove this template message. History portal. Nicolaus cites Posidonius 's support for a Celtic origin and Hermippus' for a Mantinean therefore Greek origin.
Futrell is citing Livy, 9. Paestum was colonized by Rome in BC. Livy's account summary 16 places beast-hunts and gladiatorial munera within this single munus.
See Welch , p. Welch is citing Ausanius: Seneca simply says they were "war captives". Evidence of "Samnite" as an insult in earlier writings fades as Samnium is absorbed into the republic.
Quoted in Futrell , pp. Livy's published works are often embellished with illustrative rhetorical detail. Welch is citing Livy, The Aemilii Lepidii were one of the most important families in Rome at the time, and probably owned a gladiator school ludus.
Wiedemann is citing Valerius Maximus, 2. Gladiator gangs were used by Caesar and others to overawe and "persuade". Gladiators could be enrolled to serve noble households; some household slaves may have been raised and trained for this.
For more details see Plutarch's Julius Caesar , 5. See also Pliny's Historia Naturalis , Antiochus IV Epiphanes of Greece was keen to upstage his Roman allies, but gladiators were becoming increasingly expensive, and to save costs, all of his were local volunteers.
Kyle is citing Cicero's Lex Tullia Ambitu. Wiedemann is citing Cassius Dio, Augustus's games each involved an average of gladiator pairs.
Brown is citing Dio Cassius, De Spectaculis , Compared to "pagan" noxii , Christian deaths in the arena would have been few.
Relatio , 8. See Theoderet's Historia Ecclesiastica , 5. The Jewish War , 6. C, at Lewis and Short Perseus Project.
See also Cassius Dio's accusation of entrapment by informers to provide "arena slaves" under Claudius; Futrell , p.
Futrell is citing Cassius Dio. Lives , "Tiberius", 7. Lives , "Nero", Fox is citing Pliny. Commodus , 73 Epitome.
Commodus was assassinated and posthumously declared a public enemy but was later deified. Based on fragmentary Pompeian remains and citing of Pliny's Historia Naturalis , Retrieved 21 April Moral Essays , B fully cited in Futrell , pp.
Gladiatorial banquet on mosaic, El Djem. See pompa circensis for the similar procession before games were held in the circus. Futrell is citing Seneca's On Providence , 3.
Author's drawing. In the Eastern provinces of the later Empire the state archiereis combined the roles of editor , Imperial cult priest and lanista , giving gladiatoria munera in which the use of sharp weapons seems an exceptional honour.
CS1 maint: location link Fagan speculates that Nero was perversely defying the crowd's expectations, or perhaps trying to please a different kind of crowd.
Liber de Spectaculis , Kyle is citing Robert. This is evidenced on a roughly inscribed libellus. Representations 27 : 27, 28, note Lives , "Caligula", Futrell is citing Cicero's Tuscullan Disputations , 2.
Marks on the bones of several gladiators suggest a sword thrust into the base of the throat and down towards the heart.
Tertullian describes these events as examples of hollow impiety, in which Rome's false deities are acceptably impersonated by low and murderous persons for the purposes of human sacrifice and evil entertainment.
See Kyle , pp. Lives , "Tiberius", Suetonius has the populace wish the same fate on Tiberius 's body, a form of damnatio : to be thrown in the Tiber, or left unburied, or "dragged with the hook".
Bulletin of the Institute of Classical Studies. The single name form on a gladiator memorial usually indicates a slave, two a freedman or discharged auctoratus and, very rare among gladiators, three " tria nomina " a freedman or a full Roman citizen.
See also vroma. Futrell is citing Robert, 12, 24, and Futrell is citing Robert, Futrell is citing George Ville.
Edict , Book 6; Futrell , pp. Futrell is citing Digest , 3. Letters , This had probably began under Augustus. Futrell is citing Petronius's Satyricon , See also Tiberius's inducement to re-enlist.
Satyricon , "He vows to endure to be burned, to be bound, to be beaten, and to be killed by the sword. Futrell is citing Quintilian's Oratorical Institute , 5.
Futrell is citing Epictetus's Discourse , 3. Facial stigmata represented extreme social degradation. Futrell is citing Juvenal's Satire , 6 [Oxford Fragment 7.
The burning alive of a soldier who refused to become an auctoratus at a Spanish school in 43 BC is exceptional only because he was a citizen, technically exempt from such compulsion and penalty.
AD — Implications for Differences in Diet". Bibcode : PLoSO Times Online. Archived from the original on 29 April Retrieved 24 March Manumission was seldom absolute.
Terms of release were negotiated between master and slave; Digests Metamorphoses , 4. A Dictionary of Greek and Roman Antiquities. Futrell is citing Tertullian's De Spectaculis , Futrell is citing Plutarch's Moral Essays , B.
Barton is citing Cassius Dio, Bronze tablet found at Larino, Italy, and published in Futrell is citing Cassius Dio, Barton is citing Juvenal, 8.
The American Journal of Philology. Caius Gracchus , The provision of permanent seating was thought a particularly objectionable luxury. Futrell is citing Martial's Epigrams , 5.
Welch is citing CIL , X. Potter and Mattingly are citing Pliny the Elder, The amphitheatre was commissioned by T. Statilius Taurus.
According to Pliny, its three storeys were marble-clad, housed 3, bronze statues and seated 80, spectators.
It was probably wooden-framed in part. Even emperors who disliked munera were thus obliged to attend them. Lives , "Augustus", See also Tacitus's Annals , It was notably fulfilled and celebrated in the battlefield devotio of two consular Decii ; firstly by the father and later by his son.
Mattern is citing Tacitus's Annals , 1. Mattern is citing Cassius Dio, 72, Futrell is citing Cicero's Letters to Friends , 2.
Barton is citing Seneca's Suasoriae , 6. For bustuarius , with reference to Clodius's alleged impious disturbance at the funeral of Marius , see Cicero's In Pisonem Against Piso.
See Bagnani , p. Cicero's unflattering references to Marcus Antonius as gladiator are in his 2nd Philippic. Tacitus, in Annals Roman commentators associated munera with Capua's proverbial luxury and excess.
Futrell is citing Lucian's Toxaris , 58— This should be considered scandalous and noteworthy, rather than common. Satires , 6.
Commentary on the "Aeneid" of Vergil , De Spectaculis , 22; Kyle , p. Bustuarius is found in Tertullian's De Spectaculis , Hecyra , Prologue II.
Natural History , Retrieved 9 November Auguet, Roland Cruelty and Civilization: The Roman Games. New York, New York: Routledge.
Bagnani, Gilbert January Classical Philology. Barton, Carlin A. Borkowski, J. Andrew; du Plessis, Paul J. Textbook on Roman Law. Brunet, Stephen In Paul Christesen; Donald G.
Kyle eds. Chichester, West Sussex: Wiley Blackwell. Carter, Michael Greek, Roman and Byzantine Studies. Archived from the original PDF on 26 February Coleman, K.
The Journal of Roman Studies. Curry, Andrew November—December Retrieved 21 March Edwards, Catherine Death in Ancient Rome. Everitt, Anthony New York: Random House.
Fagan, Garrett G. Fox, Robin Lane New York: Basic Books. Futrell, Alison A Sourcebook on the Roman Games. Oxford, United Kingdom: Blackwell Publishing.
Gibbon, Edward; Womersley, David New York, New York: Penguin. Grant, Michael London, United Kingdom: Penguin Books.
Grossschmidt, K. Forensic Science International. Hopkins, Keith; Beard, Mary The Colosseum. Cambridge, Massachusetts: Harvard University Press.
Jacobelli, Luciana Gladiators at Pompeii. Los Angeles, California: Getty Publications. Jones, C. Journal of Roman Studies. Junkelmann, Marcus Mainz, Germany: Verlag Philipp von Zabern.
Kyle, Donald G. Spectacles of Death in Ancient Rome. London, United Kingdom: Routledge. Sport and Spectacle in the Ancient World.
Lintott, Andrew The Constitution of the Roman Republic. Oxford, United Kingdom: Clarendon Press. Mattern, Susan P. Rome and the Enemy: Imperial Strategy in the Principate.
Berkeley, California: University of California Press. Millar, Fergus The Crowd in Rome in the Late Republic. Mouritsen, Henrik Plebs and Politics in the Late Roman Republic.
Potter, David Stone A Companion to the Roman Empire. Potter, David Stone; Mattingly, D. Life, Death, and Entertainment in the Roman Empire.
Richlin, Amy Pornography and Representation in Greece and Rome. New York: Oxford University Press. Welch, Katherine E. Wiedemann, Thomas Emperors and Gladiators.
Wisdom, Stephen; McBride, Angus Gladiators: BC — AD Oxford, United Kingdom: Osprey Publishing. Authority control GND : Categories : s BC establishments disestablishments 3rd-century BC establishments in the Roman Republic s disestablishments in the Roman Empire Gladiator types Gladiatorial combat Roman gladiators Ancient Roman culture Ancient Roman occupations Sports occupations and roles Violence in sports Animal cruelty incidents.
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And this is how things like, 'Strength and honor,' came up. This is how things like, 'At my signal, unleash hell,' came up.
The name Maximus Decimus Meridius, it just flowed well. Maximus' habit of rubbing soil before each fight references the attachment and affection to his former life as a farmer.
In preparation for filming, Scott spent several months developing storyboards to develop the framework of the plot.
The film was shot in three main locations between January and May The opening battle scenes in the forests of Germania were shot in three weeks in the Bourne Woods , near Farnham , Surrey , in England.
In Malta, a replica of about one-third of Rome's Colosseum was built, to a height of 52 feet The complex was serviced by tented "costume villages" that had changing rooms, storage, armorers, and other facilities.
British post-production company The Mill was responsible for much of the computer-generated imagery effects that were added after filming.
The company was responsible for such tricks as compositing real tigers filmed on bluescreen into the fight sequences, and adding smoke trails and extending the flight paths of the opening scene's salvo of flaming arrows to get around regulations on how far they could be shot during filming.
They also used 2, live actors to create a computer-generated crowd of 35, virtual actors that had to look believable and react to fight scenes.
An unexpected post-production job was caused by the death of Oliver Reed of a heart attack during the filming in Malta, before all his scenes had been shot.
What Oliver did was much greater. He gave an inspiring, moving performance. All we did was help him finish it. The film is loosely based on real events that occurred within the Roman Empire in the latter half of the 2nd century AD.
As Ridley Scott wanted to portray Roman culture more accurately than in any previous film, he hired several historians as advisors. Nevertheless, some deviations from historical fact were made to increase interest, maintain narrative continuity, and for practical or safety reasons.
Scott also stated that due to the influence of previous films affecting the public perception of what ancient Rome was like, some historical facts were "too unbelievable" to include.
For instance in an early version of the script, gladiators would have been carrying out product endorsements in the arena; while this would have been historically accurate, it was not filmed for fear that audiences would think it anachronistic.
At least one historical advisor resigned due to these changes. Another asked not to be mentioned in the credits though it was stated in the director's commentary that he constantly asked, "where is the proof that certain things were exactly like they say?
Historian Allen Ward of the University of Connecticut believed that historical accuracy would not have made Gladiator less interesting or exciting, stating, "creative artists need to be granted some poetic license, but that should not be a permit for the wholesale disregard of facts in historical fiction".
Costumes in the film are rarely historically correct. Some of the soldiers wear fantasy helmets. The bands wrapped around their lower arms were rarely worn.
Their appearance is the product of a filmic stereotype whereby historical films depict peoples of antiquity wearing such bands.
Although the film is set within the 2nd century AD, the Imperial Gallic armor and the helmets worn by the legionaries are from AD 75, a century earlier.
This was superseded by new designs in AD The legions' standard bearers Aquilifer , centurions , mounted forces , and auxiliaries would have worn scale armour, lorica squamata.
The Roman cavalry are shown using stirrups. This is anachronistic in that the horse-mounted forces of the Roman army used a two-horned saddle, without stirrups.
Stirrups were only employed in filming for safety reasons because of the additional training and skill required to ride with a Roman saddle.
They were reserved primarily for sieges and were rarely used in open battles. Fire arrows and canisters fired from catapults were not used at any point in ancient history.
The Praetorian Guards seen in the film are all wearing purple uniforms. No historical evidence supports this. On campaign they usually wore standard legionary equipment with some unique decorative elements.
In the bird's eye view of Rome when the city is introduced for the first time there are several buildings that did not exist at the time of Gladiator.
For example, the Basilica of Maxentius and Constantine is quite prominent, though it was not completed until AD Early in the story, Commodus regards a statue in his father's tent; the statue has no pupils, a trait commonly seen in fiction about the Roman Empire.
In fact, most statues were thought to have painted eyes and pupils at the time when they were created; it was only through the passage of time that the paint would have worn off, leaving the statues with their blank stares.
The film's plot was influenced by two s Hollywood films of the sword-and-sandal genre, The Fall of the Roman Empire and Spartacus ,  and shares several plot points with The Fall of the Roman Empire , which tells the story of Livius, who, like Maximus in Gladiator , is Marcus Aurelius's intended successor.
Livius is in love with Lucilla and seeks to marry her while Maximus, who is happily married, was formerly in love with her.
Both films portray the death of Marcus Aurelius as an assassination. In Fall of the Roman Empire a group of conspirators independent of Commodus, hoping to profit from Commodus's accession, arrange for Marcus Aurelius to be poisoned; in Gladiator Commodus himself murders his father by smothering him.
In the course of Fall of the Roman Empire Commodus unsuccessfully seeks to win Livius over to his vision of empire in contrast to that of his father, but continues to employ him notwithstanding; in Gladiator , when Commodus fails to secure Maximus's allegiance, he executes Maximus's wife and son and tries unsuccessfully to execute him.
Livius in Fall of the Roman Empire and Maximus in Gladiator kill Commodus in single combat, Livius to save Lucilla and Maximus to avenge the murder of his wife and son, and both do it for the greater good of Rome.
Scott cited Spartacus and Ben-Hur as influences on the film: "These movies were part of my cinema-going youth.
Both films also share a specific set piece, wherein a gladiator Maximus here, Woody Strode 's Draba in Spartacus throws his weapon into a spectator box at the end of a match, as well as at least one line of dialogue: "Rome is the mob", said here by Gracchus and by Julius Caesar John Gavin in Spartacus.
The film's depiction of Commodus's entry into Rome borrows imagery from Leni Riefenstahl 's Nazi propaganda film Triumph of the Will , although Scott has pointed out that the iconography of Nazi rallies was itself inspired by the Roman Empire.
Gladiator reflects back on the film by duplicating similar events that occurred in Adolf Hitler 's procession.
The Nazi film opens with an aerial view of Hitler arriving in a plane, while Scott shows an aerial view of Rome, quickly followed by a shot of the large crowd of people watching Commodus pass them in a procession with his chariot.
At one point in the Nazi film, a little girl gives flowers to Hitler, while Commodus is met by several girls who all give him bundles of flowers.
Zimmer was originally planning to use Israeli vocalist Ofra Haza for the score, after his work with her in The Prince of Egypt.
However, Haza died in late February , before she was able to record, and so Gerrard was chosen instead. Lisa Gerrard's vocals are similar to her own work on The Insider score.
Some of the music from the film was featured in the NFL playoffs in January before commercial breaks and before and after half-time.
The website's critical consensus reads, "Ridley Scott and an excellent cast successfully convey the intensity of Roman gladiatorial combat as well as the political intrigue brewing beneath.
The Battle of Germania was cited by CNN as one of their "favorite on-screen battle scenes",  while Entertainment Weekly named Maximus as their sixth favorite action hero, because of "Crowe's steely, soulful performance",  and named it as their third favorite revenge film.
Conversely, Roger Ebert gave the film 2 out of 4 stars, criticizing the look of the film as "muddy, fuzzy, and indistinct. Of award nominations, the film won 48 prizes.
It was the first movie to win Best Picture without winning either a directing or screenwriting award since All the King's Men at the 22nd Academy Awards in In , Chicago became another Best Picture winner which didn't win an Academy Award in either of these two major categories.
The film's mainstream success is responsible for an increased interest in Roman and classical history in the United States. It's called the 'Gladiator' effect by writers and publishers.
The snob in us likes to believe that it is always books that spin off movies. And not for more Roman screen colossals, but for writing that is serious or fun or both.
The character of Maximus was placed 12th in the Total Film list of 50 best movie heroes and villains  and 35th in the Empire 's Greatest Movie Characters.
The film was first released on DVD on November 21, , and has since been released in several different extended and special edition versions.
Special features for the Blu-ray Disc and DVDs include deleted scenes , trailers , documentaries , commentaries , storyboards , image galleries, Easter eggs , and cast auditions.
The film was released on Blu-ray in September , in a 2-disc edition containing both the theatrical and extended cuts of the film, as part of Paramount 's "Sapphire Series" Paramount acquired the rights to the film when it bought the DreamWorks library in The DVD editions that have been released since the original two-disc version, include a film only single-disc edition as well as a three-disc "extended edition" DVD which was released in August The extended edition DVD features approximately fifteen minutes of additional scenes, most of which appear in the previous release as deleted scenes.
The original cut, which Scott still calls his director's cut, is also select-able via seamless branching which is not included on the UK edition.
The film is on the first disc, the second one has a three-hour documentary into the making of the film by DVD producer Charles de Lauzirika , and the third disc contains supplements.
Discs one and two of the three-disc extended edition were also repackaged and sold as a two-disc "special edition" in the EU in In June , Douglas Wick said a Gladiator prequel was in development.
However, Russell Crowe was interested in resurrecting Maximus, and further researched Roman beliefs about the afterlife to accomplish this.
This includes a suggestion by Parkes that, in order to enable Russell Crowe to return to play Maximus, a sequel could involve a "multi-generational drama about Maximus and the Aurelians and this chapter of Rome", similar in concept to The Godfather Part II.
In , Scott stated he and Crowe approached Nick Cave to rewrite the film, but their ideas conflicted with DreamWorks's idea of a spin-off involving Lucius, whom Scott revealed would turn out to be Maximus's son with Lucilla.
Scott noted that a tale of corruption in Rome was too complex, whereas Gladiator worked due to its simple drive. The script would have opened with a group of dying Roman gods reincarnating Maximus, who returns to Rome to defend his son Marius and his Christian companions against the Decian persecution.
The film would have concluded with Maximus defeating Roman legionaries led by an adult Lucius and becoming an immortal force of war, with a minute sequence of Maximus fighting in the Crusades , World War II , and the Vietnam War before ending up working at the modern-day Pentagon.
By November , it was announced that Paramount Pictures is developing a sequel, which Universal has the option to co-finance, with Scott returning as director and Peter Craig writing the script.
In June , Parkes and MacDonald confirmed that the sequel was still in development with Scott and Craig, saying, "We're working with Ridley Scott, that's one we wouldn't touch unless we felt in a way to do it was legitimate.
We're working with an amazing writer as well, Peter Craig. It picks up the story 30 years later From Wikipedia, the free encyclopedia. Theatrical release poster.
Hans Zimmer Lisa Gerrard. Release date. Running time. United States  United Kingdom . Main article: Gladiator soundtrack. Main article: List of accolades received by Gladiator.
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Winkler June 23, , Scholia Reviews ns 14 Rotten Tomatoes.»Ist der schwarze Gladiator unbesiegbar?«, wollte ich wissen. Mr. Silver schüttelte den Kopf.»Jeder ist auf irgendeine Weise zu besiegen. Selbst Asmodis, der. Er ist der beste Gladiator von Capua. Mein Mann hat ihn letzten Sommer als Geschenk bekommen. Er könnte es leicht mit deinen beiden Männern aufnehmen.