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Antman Imdb Ant-Man (film) VideoAnt-Man 2 \ There were discussions about having Pfeiffer perform the scene first to give Rudd an idea of how she would act, but the group ultimately decided to let Rudd invent the scene completely himself. Ahead of the film's release, Reed noted that he and Marvel were "hopeful" about a third film, having discussed potential story points. The next month, Antman Imdb stated that Eric O'Grady's Ant-Man would not be featured in the film, while Rudd became the front-runner to play Hank Robbi Tobbi Und Das Fliewatüüt, and casting for the Galerie Roter Turm girlfriend had begun. Archived from the original on June 26, Retrieved December 17, The Wasp suit included practical wings which were replaced with digital wings for when they are expanded and ready for flight. Retrieved August 14, The Huffington Post. Archived from the original on August 21,
Antman Imdb InhaltsverzeichnisBitte versuchen Sie es erneut. Es ist ein Fehler aufgetreten. Freiheit im Kopf Jobs bei der F. Doch eine hiesige Produktion stellt jetzt alle in den Schatten. Scott entkommt aus dem Polizeiwagen, und in Cassies Kinderzimmer kommt es zu einem erneuten Kampf. Peyton Reed. Bitte geben Ron Perlman Jung hier den oben gezeigten Sicherheitscode ein. Dan LebentalEiskönigin Online Schauen Parker junior. Juli NET nicht? Namensräume Artikel Diskussion. Bildbeschreibung einblenden. Im Jahr Der bei S. Delibal Stream Lesen Bearbeiten Quelltext bearbeiten Versionsgeschichte. Services: Klimaschutz braucht Vielfalt Phase 4. Kevin Feige. She also praised Rudd, felt Lilly found "her groove" in the film, and wrote that the Antman Imdb cast all had "scene-steal[ing]" sequences. Lang tries to help fight off this " ghost ", but the woman escapes with Pym's lab, which has been shrunk down to the Atlanta Tv Show of a suitcase. Cast and characters Cast Film cast Television series cast. Mendelson said it was "frankly the Ant-Man trailer that we've been waiting for. Retrieved July 12, Archived from Venom 2019 Stream Deutsch original on Über Den Dächern Von Nizza Stream 17, Richard Brody of The New Yorker cited the film as Bad Lieutenant non-bombastic superhero movie" that strays from the grandiose tone of other films in its genre, stating that the film is "a bracing, giddy Das Familiengericht Feige stated that Ant-Man would be a "heist movie", and that a casting announcement for Hank Pym would come before the end of
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A third film is in development for a potential release. In , scientist Hank Pym resigns from S. Believing the technology would be dangerous if replicated, Pym vows to hide it for as long as he lives.
Cross is close to perfecting a shrinking suit of his own, the Yellowjacket , which horrifies Pym. Upon his release from prison, well-meaning thief Scott Lang moves in with his old cellmate, Luis.
Unable to hold down a job because of his criminal record, Lang agrees to join Luis' crew and commit a burglary. Lang breaks into a house and cracks its safe, but only finds what he believes to be an old motorcycle suit, which he takes home.
After trying the suit on, Lang accidentally shrinks himself to the size of an insect. Terrified by the experience, he returns the suit to the house, but is arrested on the way out.
Pym, the homeowner, visits Lang in jail and smuggles the suit into his cell to help him break out. Pym, who manipulated Lang through an unknowing Luis into stealing the suit as a test, wants Lang to become the new Ant-Man to steal the Yellowjacket from Cross.
Having been spying on Cross after discovering his intentions, Van Dyne and Pym train Lang to fight and to control ants. While Van Dyne harbors resentment towards Pym about her mother Janet's death, he reveals that Janet, known as the Wasp , disappeared into a subatomic quantum realm while disabling a Soviet nuclear missile.
Pym warns Lang that he could suffer a similar fate if he overrides his suit's regulator. They send him to steal a device that will aid their heist from the Avengers ' headquarters, where he briefly fights Sam Wilson.
Cross perfects the Yellowjacket and hosts an unveiling ceremony at Pym Technologies' headquarters. Lang, along with his crew and a swarm of flying ants, infiltrates the building during the event, sabotages the company's servers , and plants explosives.
When he attempts to steal the Yellowjacket, he, along with Pym and Van Dyne, are captured by Cross, who intends to sell both the Yellowjacket and Ant-Man suits to Hydra.
Lang breaks free and he and Van Dyne dispatch most of the Hydra agents, though one flees with a vial of Cross' particles and Pym is shot.
Lang pursues Cross, while the explosives detonate, imploding the building as Pym and Van Dyne escape. Cross dons the Yellowjacket and attacks Lang before Lang is arrested by Paxton.
Cross takes Cassie hostage to lure Lang into another fight. Lang overrides the regulator and shrinks to subatomic size to penetrate Cross' suit and sabotage it to shrink uncontrollably, presumably killing Cross.
Lang disappears into the quantum realm but manages to reverse the effects and returns to the macroscopic world.
Out of gratitude for Lang's heroism, Paxton covers for Lang to keep him out of prison. Seeing that Lang survived and returned from the quantum realm, Pym wonders if his wife is alive as well.
Later, Lang meets up with Luis, who tells him that Wilson is looking for him. In a mid-credits scene, Pym shows Van Dyne a new Wasp prototype suit and offers it to her.
Unable to contact Tony Stark because of " the accords ", [N 2] Wilson mentions that he knows someone who can help. However, Walt Disney Pictures was developing a film based on a similar concept, Honey, I Shrunk the Kids , and although Ant-Man went into development, nothing came to fruition.
However, Wright believed that the treatment was never sent to Marvel. At the San Diego Comic-Con International , Wright said he was intrigued by the story's high concept and character.
Wright also stressed that the film would not be a spoof but an action-adventure with some comedic elements and would incorporate both the Hank Pym and Scott Lang incarnations of the character.
Stan Lee tweeted in February that Marvel was prepping the film and that he met with Wright for lunch to discuss the character.
In May , Feige said that the project was "as close as it's ever been" while Wright teased the film by tweeting a pictogram of Ant-Man.
It was much more like something you'd recognize from Hot Fuzz. Feige stated in January that Ant-Man would be part of Phase Three of the Marvel Cinematic Universe ,  and indicated in May that the screenplay needed to be modified in order to fit into the universe, as the project had been in development before the first Iron Man film.
Feige also stated that shooting was slated to begin sometime in ,  and that casting would begin towards the end of In August , after Joss Whedon , director of Avengers: Age of Ultron , announced that Hank Pym would not be Ultron 's creator, Wright said Ultron was never a part of the story of Ant-Man ,  explaining that "just to sort of set up what Ant-Man does is enough for one movie".
I want to put the crazy premise of it into a real world, which is why I think Iron Man really works because it's a relatively simple universe; it's relatable.
I definitely want to go into finding a streamlined format where you use the origin format to introduce the main character and further adventures can bring other people into it.
In October , Wright revealed that he was in Los Angeles to work on Ant-Man by tweeting a photograph from the production of the June test reel.
In December , Wright, a fan of the comic book since childhood—owning copies of Tales to Astonish 27 featuring "The Man in the Ant-Hill" storyline and Marvel Premiere 47 featuring the first appearance of Scott Lang—  stated that the difference between Ant-Man and other films featuring size-changing is "other shrinking movies are usually about somebody trapped small.
This is different in that he can actually change size and he can do that at will, so it becomes more of a power than an impediment.
I like the challenge of making a PG film. Because you've got to entertain in a different way. You don't have the same tools.
As well, Wright and Cornish wrote a scene intended for the post-credits of Avengers: Age of Ultron that would have acted as a prelude to the film.
On May 23, , Marvel and Wright jointly announced that Wright was leaving the project due to "differences in their vision of the film", and that the studio was closing in on a new director.
Wright continued, "Suddenly becoming a director-for-hire on it, you're sort of less emotionally invested and you start to wonder why you're there, really.
Later in June, Feige stated the film was still intended to be released on the July 17, date, with production slated to begin on August 18, Or wasn't inheriting something that the evil studio had watered down to be something bad," Feige continued.
And number two, I can add to it. McKay confirmed that Rudd helped him rewrite the script, calling Rudd "great with dialogue", adding "the two of us holed up in hotel rooms on the east and west coast, and I think it was like six to eight weeks we just ground it out and did a giant rewrite of the script.
I was really proud of what we did, I really thought we put some amazing stuff in there and built on an already strong script from Edgar Wright and sort of just enhanced some stuff.
It's their story. We changed some scenes, we added new sequences, we changed some characters, we added new characters. If you took the two scripts and held them up together they'd be very different—but the idea is all theirs.
The alternate name was suggested by consultant Spiros Michalakis, a quantum physicist and staff researcher at the California Institute of Technology , to "inject elements of modern physics into the script".
Lilly's character received a fuller arc and more action sequences as a result. By the end of July, Wilson left the film because of scheduling conflicts brought on by the filming delay, and characters being played by Gerald and Kevin Weisman were cut in McKay's revised script.
It would have stuck out like a sore thumb, no matter how good it was. It just would have taken you away from this cohesive universe they're trying to create.
And therefore it ruins the suspended disbelief that they've built. Arnim Zola from Captain America: The First Avenger and Captain America: The Winter Soldier was considered to make an appearance in the film, with concept art created depicting him in his robot body from the comics.
Principal photography began on August 18, in San Francisco,  under the working title Bigfoot. It's not [an after thought].
The truth is the phases mean a lot to me and some people but Civil War is the start of Phase Three. It just is. But at the same time, it also picks up the thread of Age of Ultron in terms of heroes—major heroes, Avengers—coming from unexpected places And in that way it connects a lot.
Also, Hank Pym's attitude towards Avengers, towards S. Feige later expanded on this by saying, "[W]e put Ant-Man at the end of Phase Two as opposed to the beginning of Phase Three, because it sets up a lot of the things you're going to see heading into Phase Three, one of which is this mind-bending, reality-altering landscape [in Doctor Strange ].
For the film, cinematographer Russell Carpenter used a 1. Camera operator Peter Rosenfeld said, "Russell and Peyton's decision to shoot in 1.
But this show needed something different that affected skin tones and the Ant-Man suit, which dates back to the s, so it looks a little run-down. What I loved about this LUT was how it allowed the costume to retain the color but took it from fire-engine red to something a little more weathered.
The filmmakers made extensive use of macro photography. Production designer Shepherd Frankel said, "It's more visually interesting to depict things from Ant-Man's point of view instead of seeing him from a normal perspective.
But we wanted a realistic realization, not Honey, I Shrunk the Kids with its oversized set pieces. From an ant's perspective, you move four inches, to a human perspective, that's a football field!
In order to add Rudd's performance as Ant-Man when in the macro world, a Centroid facial capture set up was used, with a five-camera array of Alexas surrounding Rudd.
Rosenfeld explained, "One camera was set up vertically while the others were horizontal with overlapping image areas, all set to record at 48 frames per second.
This maximized resolution and provided 3D modeling [of] Paul's performance. Reed stated the scene was going to show Ant-Man's powers, without seeing him, almost "like an Invisible Man sequence, and it's really, really cool.
It started to feel tonally disconnected from the movie we were making and story-wise, and it also kind of like, it set a standalone adventure, but it didn't just connect to the rest of our story It felt like vestige of those earlier drafts [by Wright and Cornish], which as a standalone thing was really cool.
In June , Feige confirmed that the character of Janet van Dyne would be seen, though the film would not address Pym and Van Dyne's infamous domestic abuse storyline in the comics, saying, "We hint at a temper in a way that people who know the stories might go, 'Oh, perhaps that's a bit of [Hank's] character,' but not in a way that would ever indicate [he beat his wife].
But then for a couple reasons, it felt like maybe we should leave those particles out there. Double Negative also worked on Ant-Man's shrinking effect, in coordination with ILM to be used by all vendors, which showed the outline of his body — an element from the comics.
Visual effects supervisor Alex Wuttke said, "It's like a little time echo. As Ant-Man shrinks in almost a stop motion way he would leave behind outlines of the poses he'd been in as he shrinks down We'd have two CG cameras rendering the action from different points along the timeline with slightly different framings.
One would be the main shot camera, the other would be a utility camera that would provide renders of static poses of Ant-Man at different points along the timeline.
The work on him focused on his eyes, neck, and chin. Atwell wore a wig on set, along with a fine layer of latex makeup to give the skin a more leathery look, with Lola transposing the facial features of an elderly actress onto her face.
Method and Luma both worked on creating the various ants seen in the film, with Method creating the several species of ants, to share among the vendors.
Luma also handled many of the scenes at Pym Technologies when Ant-Man attempts to acquire the Yellowjacket. Using practical suit pieces built by Legacy Effects , ILM mixed live-action shots with digital take-overs and fully digital shots to create the sequence.
ILM also handled the sequences in the quantum realm, providing an array of microscopic and largely psychedelic imagery for the subatomic shrinking, taking advantage of procedural fractal rendering techniques the studio had utilized on Lucy.
In February , Wright announced that Steven Price would score the film. What makes this score stand out among other Marvel movies, though, is a sneaky sense of fun since it is, after all, not only a superhero movie, but also a heist comedy.
It explains Lang's circumstances at the beginning of the film. In January , Disney officially began the film's marketing campaign by releasing a miniature "ant-sized" teaser trailer, a full-sized version of the same teaser trailer, a poster, a cover on Entertainment Weekly , and a full-length trailer during the premiere of the television series Agent Carter.
Scott Mendelson of Forbes , said, "It was darn-clever for Disney to put out a miniature 'can't see anything without a microscope' version of the now-standard trailer for the trailer.
I sighed just a little when they 'gave in' and released a human-sized version, realizing that Disney had just released what amounted to a teaser to a teaser to a trailer But nonetheless, credit where credit is due, Disney was able to turn a single theatrical trailer into three separate news drops in about five days.
Marvel knows the geeks will come if only to throw stones, but it's the mainstream audience that needs to be sold. So far, so good. McMillan concluded, "The Ant-Man trailer isn't bad, per se; it is, however, impressively underwhelming, which almost seems worse.
Thanks to the last-minute exit of original writer-director Edgar Wright and the subsequent struggle to find a replacement, Ant-Man has become the movie that people are expecting to be Marvel's first failure, in critical if not financial terms, at least; this trailer, which fails to convince and gets by on goodwill for those involved and the Marvel brand as much as anything else, doesn't do enough — or anything, really — to persuade audiences that that's not the case.
In April , Marvel debuted a second trailer for Ant-Man. Mendelson said it was "frankly the Ant-Man trailer that we've been waiting for.
It's not just funny and exciting, it's an 'Ah ha! Winners teamed with STEM Science, Technology, Engineering, and Mathematics education programs in their areas to lead teams in recreating their projects.
In the program, Everhart discuses the fallout from the events of Avengers: Age of Ultron , Lang's imprisonment,   and events leading to Captain America: Civil War.
In December , to commemorate the home media release of Ant-Man , Marvel UK launched a website that offers visitors a view of various London landmarks from the perspective of an ant in a Google Street View -type experience.
The digital and Blu-ray releases include behind-the-scenes featurettes, audio commentary, deleted scenes, and a blooper reel.
It was released on December 8, Ant-Man continued Marvel's streak of number one opening films, giving the studio its twelfth consecutive win.
The large opening weekend in China helped Ant-Man place first at the international box office for the first time, with the Chinese opening the second largest for an MCU film in the country behind Avengers: Age of Ultron.
The website's consensus reads, "Led by a charming performance from Paul Rudd, Ant-Man offers Marvel thrills on an appropriately smaller scale — albeit not as smoothly as its most successful predecessors.
Justin Chang of Variety said the film "succeeds well enough as a genial diversion and sometimes a delightful one, predicated on the rarely heeded Hollywood wisdom that less really can be more.
Extremely likable, with a few moments of proper wonder. For some critics, Ant-Man is seen as one of the more exceptional films in the Marvel franchise.
Richard Brody of The New Yorker cited the film as "the non-bombastic superhero movie" that strays from the grandiose tone of other films in its genre, stating that the film is "a bracing, giddy delight Conversely, Alonso Duralde of TheWrap said the film "serves up jokes that don't land and thrills that don't thrill.
Which, from all available evidence, is exactly what happened. A sequel, Ant-Man and the Wasp was released on July 6, , with Reed once again returning as director.
A third Ant-Man film is in development, with Reed returning to direct, and Rudd, Lilly, and Douglas expected to reprise their roles.
From Wikipedia, the free encyclopedia. This is the latest accepted revision , reviewed on 1 November Theatrical release poster. Marvel Studios.
Release date. Running time. There's no gamma rays. It's just like the suit and the gas, so in that sense, it really appealed to me in terms that we could do something high-concept, really visual, cross-genre, sort of an action and special effects bonanza, but funny as well.
So, I like that idea in the movie universe I also like that it's this sort of passing of the torch. I like that.
I think that's sort of a classic Marvel Comics thing and something that we really haven't seen in that universe. Main article: Ant-Man soundtrack.
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Sign up and join the community. Michael Douglas Dr. Hank Pym. Bobby Cannavale Paxton. Walton Goggins Sonny Burch. Judy Greer Maggie. Emma Fuhrmann Cassie Lang.
Jonathan Majors Kang The Conqueror. David Dastmalchian Kurt. Peyton Reed Directing. Paul Rudd Writing. Erik Sommers Writing.